10/17/2009

GOLDMINE'S COBO REVIEW

by Eric Harabadian

They say "where there's smoke there's fire" and on Sept. 25 there was plenty of that, along with enough explosions and fireworks to set off the Fourth of July! You see, this was the opener of the "Kiss Alive 35" North American 40-plus city tour, and the classic quartet returned to the place where it all started for them back in 1975.

The seminal Kiss Alive! album catapulted the then-fledgling group from marginal success to multi-platinum status. The original album cover was taken at Michigan Palace, but the back cover, where the majority of the live album was recorded, displayed an anticipatory crowd at the sold-out Cobo Arena.

One might say that it was the mid-'70s all over again. There was a nostalgic glint in people's eyes and a palpable buzz and energy in the air. And the seemingly ageless and unstoppable rock n' roll machine known as Kiss delivered a timeless two-hour-plus extravaganza that seemed destined for the history books.
by Eric Harabadian

They say "where there's smoke there's fire" and on Sept. 25 there was plenty of that, along with enough explosions and fireworks to set off the Fourth of July! You see, this was the opener of the "Kiss Alive 35" North American 40-plus city tour, and the classic quartet returned to the place where it all started for them back in 1975.

The seminal Kiss Alive! album catapulted the then-fledgling group from marginal success to multi-platinum status. The original album cover was taken at Michigan Palace, but the back cover, where the majority of the live album was recorded, displayed an anticipatory crowd at the sold-out Cobo Arena.

One might say that it was the mid-'70s all over again. There was a nostalgic glint in people's eyes and a palpable buzz and energy in the air. And the seemingly ageless and unstoppable rock n' roll machine known as Kiss delivered a timeless two-hour-plus extravaganza that seemed destined for the history books.

They kicked things off with "Deuce" followed closely by a faithful and grooving "Strutter." Ever the consummate MC, guitarist/vocalist Paul Stanley riled up the crowd leading into the mid-tempo "Got to Choose." "Hotter Than Hell" kept the hysteria in high gear as lead guitarist Tommy Thayer, flanked by a barrage of flames and fog, dove into a succinct, well-crafted solo.

The band essentially was counting down the lion's share of the original double album as "Nothin' to Lose" continued the love affair with the Detroit audience. At this juncture Stanley shared memories of playing Cobo early in their career.

The main set featured 15 Kiss standards. Additional highlights included cool drum and guitar interplay from long-time associate Eric Singer and Thayer, respectively, on "Parasite." "She" was another standout with strong group backing vocals and a spotlight for Thayer's chops and pyrotechnic theatrics. Gene Simmons got the venue rumbling with the bass intro to "100,000 Years" that laid the groundwork for Singer's revolving drum-riser showmanship and some call-and-response interplay with the crowd from Stanley.

Rock-steady versions of "Cold Gin," "Let Me Go Rock And Roll" and an abbreviated "Black Diamond" also did not disappoint. After a sincere-sounding message from Stanley to Detroit fans about overcoming economic adversity, they broke into the anthemic "Rock And Roll All Night," complete with cannons shooting streamers of confetti into the air.

Kiss was not stingy on encores, with a string of crowd-pleasers including "Shout It Out Loud," "Lick It Up," "I Love It Loud," "Modern Day Delilah" (off the upcoming disc Sonic Boom), "Love Gun" and, naturally, "Detroit Rock City."

Yes, indeed, bombs, fireworks, flames, blood and sweat were supplied by the band in copious amounts. Just as plentiful was the enthusiasm of the fans happy to see their costumed heroes within the hallowed halls of Cobo once again!
10/16/2009

KISS IN PHILLY & DC

by Kevin Eck

They say you never forget your first Kiss. I vividly remember mine.

The date was Dec. 20, 1977, and I was 10. That was the night I saw the self-professed hottest band in the land for the very first time, at the old Capital Centre in Landover.

What I experienced that night was much deeper than a school-boy infatuation. It was the start of a lifelong relationship, and even though there have been peaks and valleys over the past 32 years, the passion is still there ...by Kevin Eck

They say you never forget your first Kiss. I vividly remember mine.

The date was Dec. 20, 1977, and I was 10. That was the night I saw the self-professed hottest band in the land for the very first time, at the old Capital Centre in Landover.

What I experienced that night was much deeper than a school-boy infatuation. It was the start of a lifelong relationship, and even though there have been peaks and valleys over the past 32 years, the passion is still there ...

I've lost count of how many times I have seen Kiss in concert, but it�s more than 20. I added two more shows to the list earlier this week when I saw the makeup-adorned rockers at Wachovia Center in Philadelphia Monday night and Verizon Center in Washington the next night as part of the Alive 35 Tour, which celebrates Kiss' 35th anniversary.
The members of Kiss may be long in the tooth � their ages range from 48 to 60 � but they�re not short on energy, as the band performed for two hours each night and kept the crowd on its feet the entire time.

Kiss dug into its extensive catalog of catchy, three-chord rock songs and pulled out 18 classics, two-thirds of which came from its first three albums � "Kiss," "Hotter than Hell" and "Dressed to Kill," all of which were released between 1974 and 1975. I can't find much fault with the song selection.

All the staples of a Kiss concert were on display, from the pyro explosions, to tongue-wagging bassist Gene Simmons spitting up fake blood and breathing fire, to the blizzard of confetti that filled the arena during "Rock and Roll All Nite."

As usual, front man and rhythm guitarist Paul Stanley commanded the stage. During the latter part of the show, he summed up the band's lack of pretense in regard to its live performances: "If you're here to hear about saving the whales, or ending world hunger, or who to vote for, you're in the wrong place! You came here to forget about all that stuff."

While Kiss has always been more about flashy stage shows and larger-than-life characters than musical virtuosity, the band sounded tighter on these shows than it did during its glory years in the '70s.

That�s due in large part to the presence of lead guitarist Tommy Thayer and drummer Eric Singer. It's clear that Kiss is a better band with them playing alongside founding members Simmons and Stanley.

Kiss got the show off to a rousing start with the vintage one-two punch of "Deuce" and "Strutter," the first two tracks on Kiss' landmark 1975 live album, "Alive!" Eleven of the first 13 songs Kiss played were included on "Alive!"

Surprisingly, the band only performed one song - "Modern Day Delilah" - off its latest album, "Sonic Boom," which was released last week. Kiss played a five-song encore, including "Lick It Up," the only song in the set from the era when Kiss performed without makeup.

While watching Kiss close Tuesday night's show with "Detroit, Rock City," I really tried to savor the moment because I knew it could very well be the last time I see the band live.

Then again, I have felt that way at every Kiss concert I�ve attended since the band put the makeup back on in 1996. Something tells me this was not a Kiss goodbye.
10/16/2009

KISS BACK WITH A BOOM

By MICHAEL CHRISTOPHER

Critics who have dismissed modern-day Kiss as nothing but a cartoonish merchandising machine take note: the band has proven that there is some rock and roll left in the tank, and this week celebrates the highest charting release in its history as "Sonic Boom" landed in the No. 2 slot on the Billboard charts.

Rock Music Menu caught up with drummer Eric Singer after the grease-painted foursome played an explosive, career spanning set at the Wachovia Center Monday night and talked about what it is that makes the new album so appealing.

"Everyone knew what the task at hand was," Singer said. "We all got on board in the same vehicle heading down the same road and we knew what are destination was."
By MICHAEL CHRISTOPHER

Critics who have dismissed modern-day Kiss as nothing but a cartoonish merchandising machine take note: the band has proven that there is some rock and roll left in the tank, and this week celebrates the highest charting release in its history as "Sonic Boom" landed in the No. 2 slot on the Billboard charts.

Rock Music Menu caught up with drummer Eric Singer after the grease-painted foursome played an explosive, career spanning set at the Wachovia Center Monday night and talked about what it is that makes the new album so appealing.

"Everyone knew what the task at hand was," Singer said. "We all got on board in the same vehicle heading down the same road and we knew what are destination was."

Singer joined Kiss in 1991 initially as temporary substitute for drummer Eric Carr, who was battling heart cancer and subsequently passed away later that year. He played on the 1992 record "Revenge," which, like "Sonic Boom," is seen as a touchstone in the band's catalog and a return to form after many had left them for dead.

"A friend of mine said, "It's kind of ironic how two of my favorite Kiss albums are two that you played on,'" Singer said. "I'm not gonna take the credit for it, but I do believe that sometimes a certain chemistry with people at a given time contributes a lot to a band's sound and a vibe and an energy and a direction that you may have."

"It's like baking a cake; you can make the same cake over and over, but sometimes it just tastes a little better, especially when people make things from scratch rather than follow exact directions."

To start from scratch, Singer, guitarist Tommy Thayer and Kiss co-founders Paul Stanley and Gene Simmons went back to their roots, not to find the sound, but to look for inspiration.

"We weren't trying to make a '70s record," Singer said. "We we're trying to make a record in the spirit of the '70s where a band went in, worked on riffs, and recorded them live. Paul said, "I want to make this record like we did when we started out.'"

"We really created more of a unified sound where everybody contributed, it wasn't like one guy was the main writer and he does everything; we wanted to do everything organically like the way we do live."

"Sonic Boom" definitely has that classic Kiss feel. The big, arena ready riffs, the steady pop choruses and the cheesiest lyrics this side of AC/DC. Simply put, this is the record Kiss fans have been waiting for, and eleven years since the disappointment of "Psycho Circus," it's been a long time coming.

The past decade has seen the lineup of the stumble and fracture, with original members Peter Criss and Ace Frehley using the revolving door as both were substituted by Singer and Thayer respectively, right down to donning the "Catman" and "Spaceman" make-up, which many fans consider sacrilegious.

"I can understand how they can really appreciate the original Kiss," Singer said. "Hey, I like the original Kiss too, I loved it all, but original Kiss doesn't exist anymore... it can't exist in that incarnation."

Singer went on to add that he has no personal attachment to the issue, and when he says he doesn't care what fans think, it's not meant to be disrespectful because he understands how people can be married to the past.

"People should get on board or move on. I think that a lot of people have obviously chosen to stay with it because certainly they love the band, they love the music and they realize that is bigger than any one individual member."

That's a fact proven time and again in Kiss, and one that Singer knows all too well. Despite the success of the "Revenge" album, Stanley and Simmons shelved the lineup featuring Singer and guitarist Bruce Kulick in favor of a highly successful reunion 1996 tour with Criss and Frehley. The drummer was welcomed back into the fold in early 2001 when Criss left the band.

"I do remember when I first started wearing the make-up in 2001 and Ace was still in the band and they called me up and asked me about coming back and playing," Singer said. "I was on the road at the time and someone who was handling my business called and said, "Hey, Kiss wants you to come play in the band," and I said, "OK, are they going to want me to wear make-up?� And I was out of the country at the time and he said it would all be worked out by the time I got home."

"I think they paused for literally a second and said, 'What do we do here?' but this is what everybody knows, they know these characters, so that was it."

Criss returned once again for a short stint, but was replaced, ostensibly for good, by Singer in 2004. At that point, Frehley had already left and Thayer had filled his spot underneath the make-up. Rather than create new characters like the band did in the early '80s for Carr (the Fox) and guitarist Vinnie Vincent, whose face featured a ridiculous looking ankh, Singer said staying true to the original war paint keeps in tact the legacy of the group.

"People know these four characters; these are the icons for what Kiss is known for, and to keep trying to change with different members... I mean, people say, "Well, they did it for Vinnie," but when you look back, it kind of diluted things."

Adding to the resurgence of Kiss on a musical level is this year's nomination for induction into the Rock and Roll Hall of Fame as part of the Class of 2010. The group has been eligible for a decade, and Singer agrees with the opinion of many that it�s about time.

"Everybody has their own personal opinion as to what they think about that whole Hall of Fame stuff,� he said. "I'm a big sports fan, so when I think of 'hall of fame,' I think of it from a sports point of view where they honor you and recognize you and it's not just for longevity, it's for achievements whether it's passed for a lot of touchdowns or broken a lot of records, and to me that�s what it's about."

"To me, the Rock and Roll Hall of Fame is a popularity contest based on some select individuals and what their personal tastes are rather than the achievements that an individual band has accomplished."

Kiss has been one of the glaring rock and roll omissions from the ballot each year, much to the consternation of hardcore fans, who have even led marches in protest at the Rock Hall museum in Cleveland, while more undeserving artists, in Singer's opinion, have been inducted because of the nominating committee's politics.

"With all due respect to certain artists, but how does Patti Smith end up in the Rock and Roll Hall of Fame when Alice Cooper or especially a band like Kiss is not in there now?� Singer said. "No offense, but all the time I grew up, she was someone that only critics ever liked."

"I don't remember any of my friends or anybody I know being huge fans of hers or really liking what she did, but somehow people go, 'Oh she's legit, she's credible.' And I'm thinking, 'But in the Hall of Fame? In rock and roll?' Come on, it should be what a band accomplished, and nobody has ever accomplished what Kiss has done."

But the question on everyone's mind is that if Kiss does indeed end up getting into the Hall at the ceremony in March, who will show up to accept the award? Will the original lineup be reunited again - or is it going to be the current edition of the group?

"I'd be there whether I'm one of the people inducted or whether I'm there supporting the band being inducted," Singer said. "I've been a part of Kisstory and there's a lot of people who've helped the band keep going and had success with the band that may not be original guys and they are all a part of that too."

"To me, everybody that's been a part of Kiss deserves to be recognized."

"If the band does get inducted, how they'll deal with that, at the time - I don't know," he said. "Let's hope we have to cross that bridge."
10/16/2009

KISS IS ALIVE AND 35

KISS is alive and 35 at the Bi-Lo Center in Greenville

BY DAN ARMONAITIS, Spartanburg Herald-Journal

A strange thing has happened with the release of "Sonic Boom," the new album by rock legends KISS.
In the week-and-a-half since it hit the shelves as a Wal-Mart exclusive, "Sonic Boom" has earned KISS something it has lacked throughout much of its 35-year career --critical respect.

While dedicated fans have always shown absolute adoration for the band, music industry insiders have not been so kind, often ridiculing KISS as little more than a novelty act. Despite its huge influence on the contemporary music scene, KISS still remains a non-Rock and Hall of Fame member even though it has been eligible for an entire decade.

But even the harshest KISS critics have toned down the negativity in their reviews of "Sonic Boom," with many hailing it as the best album the band has produced in more than 30 years.KISS is alive and 35 at the Bi-Lo Center in Greenville

BY DAN ARMONAITIS, Spartanburg Herald-Journal

A strange thing has happened with the release of "Sonic Boom," the new album by rock legends KISS.
In the week-and-a-half since it hit the shelves as a Wal-Mart exclusive, "Sonic Boom" has earned KISS something it has lacked throughout much of its 35-year career --critical respect.

While dedicated fans have always shown absolute adoration for the band, music industry insiders have not been so kind, often ridiculing KISS as little more than a novelty act. Despite its huge influence on the contemporary music scene, KISS still remains a non-Rock and Hall of Fame member even though it has been eligible for an entire decade.

But even the harshest KISS critics have toned down the negativity in their reviews of "Sonic Boom," with many hailing it as the best album the band has produced in more than 30 years.

Recorded entirely in analog, "Sonic Boom" is a throwback to another era, often recapturing the unbridled energy and catchy, hook-laden sound of such legendary early KISS efforts as "Hotter Than Hell," "Dressed to Kill," "Destroyer" and "Love Gun."

KISS has always been about giving its fans exactly what they want, and, in the case of "Sonic Boom," the makeup-sporting quartet -- headed by co-founders Gene Simmons and Paul Stanley -- has once again delivered the goods.

In the 1970s, KISS was a larger-than-life phenomenon with an air of mystique surrounding its members' superhero-like identities.

The instantly recognizable images of Simmons as "The Demon," Stanley as "The Starchild," Ace Frehley as "The Spaceman" and Peter Criss as the "The Catman" are now ingrained in the consciousness of rock fans worldwide and are displayed on merchandise ranging from lunchboxes to Mr. Potato Head figures.

Guitarist Tommy Thayer has replaced Frehley in the band, and Eric Singer is now the drummer in place of Criss. On "Sonic Boom," each contributes in a major way.

The release of "Sonic Boom" assures that KISS' current "Alive/35" tour -- which makes a stop Saturday at the Bi-Lo Center in Greenville -- will be more than a triumphant nostalgia ride.

But, don't think for a moment that such staples as "Detroit Rock City," "Rock and Roll All Nite," "Deuce," "Love Gun," "Strutter" and "God of Thunder" won't echo from the rafters. After all, it's the classic KISS material that made the back-to-roots nature of "Sonic Boom" possible.
Collectables
Shop Official KISS Merchandise