10/31/2014

MORE GREAT KISS PUMPKINS

Thanks to the KISS Army for sharing their Halloween with KISS!

Thanks to the KISS Army for sharing their Halloween with KISS! - See more at: http://www.kissonline.com/#sthash.qHsPuP7p.dpuf
10/30/2014

Paul Stanley of KISS: Winning and living on your own terms defines rock and roll

By Robin Leach / Las Vegas Sun

Fire breathing, spitting blood, guitars on fire, levitating drum kits and extraordinary pyrotechnics have always been hallmarks of KISS led by Gene Simmons and Paul Stanley, and it all finally took them to the Rock and Roll Hall of Fame.

The rockers� worldwide record sales are more than 100 million, making them one of the bestselling bands of all time. Incredibly, the group that formed in 1973 is going stronger than ever, and its Army of fans grows larger, too.

Now KISS is celebrating its 40th anniversary with its first-ever residency � at the Joint in the Hard Rock Hotel � where Gene promises: �What happens in Vegas will not stay in Vegas, not if we have anything to do with it. We intend to blow the roof off the Hard Rock.�

KISS will play nine shows Nov. 5-23 with guitarist Tommy Thayer and drummer Eric Singer rounding out the action. Beneath that bizarre makeup beats the hearts of two astute businessmen who are marketing marvels. We actually share the same Wall Street investment banker.

I�ve known Gene and Paul for many, many years, so it�s always good to have a long chat with them. I caught up with Paul just before he left for Mexico City and his annual KISS Cruise.

You�ve just wrapped another one of those major tours?

We did 42 shows and played to 600,000 people, so right now I�m just catching my breath. Tomorrow I leave for Mexico City to headline a festival, then we have the KISS Cruise, which we do every year, and that�s sold out with 3,500 people from 33 countries. Then we come to Las Vegas, which is the icing on the cake.

Not just because it�s the first time you�re playing a residency at the Hard Rock, but why is it the icing on the cake?

Well because it�s new territory for us, and what KISS has always been about is going against the grain and really doing things in our time and when it feels right for us. There was a time where quite honestly everyone thought of Las Vegas as an elephant burial ground.

It was the more glittery branch in Missouri for some people, but it�s so unique. There was also a time where the best food you could get was a $1.99 prime rib. Now if I want a great meal, I go to Las Vegas. You can�t get a comparable meal in Los Angeles to what you can get in Las Vegas.

Everything has changed so much, and it�s always seemed like a perfect fit for us to be in Las Vegas, but for a lot of reasons, it just wasn�t meant to be. Now the planets have lined up, and everything is as it should be, and we will come in and do what we do.

We are doing a KISS show in Las Vegas, we are not doing a Las Vegas show with KISS. We are a rock and roll band, and we will do what we do � better than any band at this point.

Are you changing the tour show?

Completely different stage. At this point, our influence is so widespread that virtually any rock band you go see live is doing the KISS show. The only thing they can never be is KISS. Anybody with money can buy pyro, can buy lasers, but you can never be us. So for us to come into Las Vegas, we�ll set a different level honestly.

It�s an amazing thing for us to be able to go into a smaller venue and not downsize. Usually going into a smaller venue means doing a smaller show, but because this show isn�t portable and because this show is a permanent installation, we can do things that we couldn�t when you have to break the show down every night.

With 40 years as a group, do you ever sit and chat with Gene and try to dissect or wonder why you got this extraordinary four-decade life as a top rock group?

I think we understand why because we have a work ethic. We do something that we are passionate about and take a lot of pride in. We don�t bow to anyone else other than to our own desires. We�ve never been a band who lived within the boundaries or other people�s perceptions of who we should be or what�s credible or not credible or what�s rock and roll and what�s not rock and roll.

Winning and living on your own terms is rock and roll, and we are that and then some. Gene and I take a lot of pride in what we do. We respect the fans to the utmost. We started this band to be the band we never saw. A band that would respect an audience.

We understand that when you pay for a ticket, you deserve the best. You deserve to get something for your money in the same way as when you go to the market. If you�re going to pay, you don�t want to walk out with an empty sack.

We�ve always been very clear that we are not only a musical band, but we are entertainers. In our case, we�re in a unique position of being more than any other band in the sense that one might see us as Superman with a guitar. We�re superheroes.

We�re four iconic images who are known around the world. People know KISS no matter where you take our photo, although they might not know the individual members. We�ve always been clear on what we are and what we�re not.

It�s meant, though, 40 years of putting on this extraordinary makeup. Do you still love doing it, or do you sometimes wish you could just go on and play without it?

I�ve done both, and honestly this is the uniform to my way of thinking the only band I would ever want to be in. I wear it with incredible pride. Forty years of doing this means 40 years of being victorious. Every time I step up onstage with the makeup on, it�s a victory lap. I mean this is extraordinary. We�re not a rock band; we�re a phenomenon. Rock bands make music; phenomenons impact society.

Does it change your persona under the makeup?

It�s only appropriate that my persona is magnified in order for me to communicate to 20,000 people. If I spoke the way you and I are speaking now, it would be lost to most. So I am 20,000 times this and then some. I want everybody at our arena gigs and our stadium gigs, and now at the Joint, I want everybody to feel that I�m talking to them because I am.

Everybody to the last seat in the last row is as important as the people in the front. My personality gets magnified, amplified and taken to a different level just so that the intensity and the intimacy that you and I might have is something that everybody in the venue will experience.

Your fans today must range from hardcore fans from 40 years ago and a whole new legion of youngsters, right?

Yeah, I think we�re three or four generations into this at this point, and it�s gone beyond being a band. Coming to a KISS concert is like going to a tribal meeting. This is a tribe at this point. Most bands are very demographic specific and most bands have a select age group who come to see them.

Most rock bands, if you go to the show, you don�t want your younger brother to show up, you don�t want your parents there, you don�t want your neighbor there. It�s yours and your contemporaries. With KISS, it�s very different. It�s like the largest cult in the world, and everybody who�s there is in it together. We have parents bringing their kids. We have three generations showing up. We�ll have people holding their children up kind of like a rite of passage.

Parents want their kids to experience what they did. I take a tremendous amount of pride in that and see this as a huge responsibility. I take a lot of pride sometimes in addressing the children in the audience and saying we were there for your parents, and we�ll be there for you. This is much bigger than Gene or I or anyone else. I take great pride in believing that the band will outlive me.

In terms of rock and roll, Motley Crew is calling it quits on its current world tour. Are you saying KISS will not call it quits and go on maybe with other musicians?

Oh, totally; absolutely. We are unlike any other band. We are closer to an army. We are closer to a sports team. I�m not foolish enough to think that I�m the only person to do what I do. The Yankees continued without Babe Ruth. Time marches on, and if you�re part of a movement or part of a commitment to a cause, then when you�re time is done � look, if you fall in battle, someone picks up your gun and runs.

Somebody has to carry the flag, and that�s what KISS is about. KISS is about a lifestyle and self-empowerment and going against the odds and believing in yourself. I guess enjoying the fruits of hard work. That�s not singular to me. People who said that was not possible in terms of KISS are already 50 percent wrong. The lineup is now 40 years on, and two of the members are not the original members, but they are far better at this point than the original members.

Are you still a part-time Las Vegas resident?

I still have my place there, and I would say regardless of whether I have a residence in Las Vegas, I love Las Vegas. My wife and I go in just to see a show and have some great meals. My friend Julian Serrano is one of my favorite chefs arguably in the world. Between him and everybody else who�s there at this point, I have to go to Las Vegas to get a great meal. I can�t get it in Los Angeles.

So walking in here to Vince Neil�s hometown, and he has started the Las Vegas Outlaws, first tell me are you pleased that he�s got an Arena Football League expansion team? And are you ready for the L.A. Kiss to whip the Las Vegas Outlaws?

I have to say a long time ago I stopped looking at competition. The only person I compete with is myself. I don�t really see the idea that Las Vegas is Vince�s town; it�s also Carrot Top�s town.

I understand. The rivalry has started.

I wish Vince the best. We will see how things unfold.

You must be pleased, though, with the expansion of the Arena Football League coming to Las Vegas.

I think at this point the Arena Football League has so much to offer. It�s an experience unlike anything else. The intensity of the game and the intimacy of it that is played out so close to you that literally you can wind up with a player in your lap. There are no sidelines, and the game plays very quickly and aggressively.

I think people have a lot of misinformation about what these players are. These are not third-rate players; these are the upper 1 percent of players available. There�s only so much room in the NFL, so these are great players, and it�s a terrific sport. I�m proud to be a part of it. I won a championship in the AFL and love making it into what it should be.

How did the L.A. Kiss do this year?

Oh we did horrifically. Now mind you that was the team�s performance, but in terms of tickets, we�re the envy of everyone in the league. We had 8,000 season-ticket holders, and we�re already scheduled to have more than that for 2015. To be an expansion team and to be in the position that we were, we may have been a bit naive in believing that we could go from 0 to 60, so to speak.

We have some ground to make up, but in terms of delivering entertainment, everybody loved the games. Even with the games we lost, we had great dancers, we have live music, we have pyro. It�s just football, and what attracted us to the AFL was the potential that it could be so much more than it is.

If we�re raising the bar, so be it. Every team that�s coming in, whether it�s Vince�s or anyone else�s, it�s going to have to stand tall because we�re setting a standard that has not been seen yet in the AFL.

So who wins ultimately? The fans. And that�s true at the Hard Rock for November. We�ll deliver the win for the fans.

10/30/2014

A Timeless KISS

Revisiting a childhood obsession as the rock-star superheroes come to Vegas

By Sean DeFrank / VegasSeven.com

I have a confession to make:

Despite appearances, I was never really in the Army. Yes, I wore the uniform, knew all the terminology and infiltrated its ranks, but after all these years�on the eve of KISS� residency at the Hard Rock Hotel�I finally have to come clean: I was never an official member of the KISS Army in the �70s. I had friends in elementary school who paid the $5 annual fee to become card-carrying members, but for reasons unknown to me even now, I never formally enlisted.

Having such a strong devotion to the band, maybe the official membership just seemed extraneous to me. After all, I bought all the affiliated merchandise, or rather my family did: posters, T-shirts, magazines, action figures, trading cards, puzzles, lunch box, a windbreaker jacket, you name it. Even the KISS Your Face Makeup Kit, which my mom used when I was Paul Stanley for Halloween in fifth grade (his makeup was the easiest to do). I had all the albums, some on vinyl and 8-track, even the four lame 1978 solo projects. OK, three were lame; Ace Frehley�s easily outrocked the others.

It wasn�t just my parents who were aware of and supported my habit. My stoic maternal grandfather purchased a copy of Alive II not only so I could listen to it when I visited, but also so he could learn more about this band I was infatuated with, a subtle gesture of love that wasn�t lost on me even then. And I remember distinctly the day in 1978 my paternal grandmother brought home the slick promotional magazine for KISS Meets the Phantom of the Park from the grocery store.

My dad promised he would take me to a KISS concert if they ever came to Las Vegas. But they only performed here once during the �70s�in May 1975 at the Sahara (with Rush opening!)�not long before I became obsessed with the band.

Like many fans from that era, it was KISS� 1975 live (with much studio overdubbing) album Alive! that first grabbed me, the introduction proclaiming, �You wanted the best, and you got it! The hottest band in the land: KISS!,� followed by Ace�s guitar cutting into the opening riff of �Deuce,� Gene Simmons� hand sliding down the neck of his bass and an explosion ushering in a surge of rowdy rock anchored by Peter Criss� frenetic drumming. For a 6-year-old who had been raised on the Beatles, the Beach Boys and Motown, KISS opened my eyes to a world I never knew existed, leading to the discovery of other hard-rocking bands such as Led Zeppelin and Black Sabbath, and forever shaping my musical tastes.

As good as KISS� songs were, though, it was the look that initially attracted many of us. For a grade-school kid who was into both music and comic books, the guys in KISS were like real-life superheroes armed with guitars and drumsticks, complete with secret identities that allowed them to walk around unnoticed. Without TMZ and the Internet to ruin the illusion, we were allowed to wonder what the dudes actually looked like. Even when the National Enquirer ran cover photos of Simmons out with Cher, a bandanna hid his face.

The band members really did become superheroes in 1977 when Marvel published a KISS comic book in which talismans transform them into their Starchild, Demon, Spaceman and Catman personae. As if that wasn�t cool enough, an inside spread showed photos of blood being drawn from each band member by a registered nurse that was then mixed with the red ink used in the comic. I bought two copies: one to read repeatedly, one to sit untouched. Foolishly, they were both part of the tragic Comic Book Purge of 1982, a grave error in judgment that still haunts me today.

As substantial as getting their own comic book was, though, nothing was bigger than the band getting their own TV movie. KISS Meets the Phantom of the Park premiered on NBC on October 28, 1978. To celebrate the occasion, three of my best friends spent the night at my house so we could share the moment. As giddy 9-year-olds, we cheered wildly, but deep in our hearts we knew the movie was terrible. We didn�t care, though. It was KISS. That was all that mattered.

That bomb of a film seemed to signal the beginning of the end of KISS� peak popularity�not just for me, but for many fans. I bought 1979�s Dynasty, with its disco-flavored single �I Was Made For Lovin� You.� But the release of 1980�s Unmasked and 1981�s Music from �The Elder� elicited no response from me. With KISS moving further away from its hard-rock roots, compounded by the departures of Ace and Peter, and with me nearing puberty and discovering new bands, we quietly parted ways. KISS didn�t return to Las Vegas until playing the Aladdin in April 1983, but I was 14 and had moved on to Van Halen by that point. And once the band members removed their makeup later that year, there was no chance of me returning to the fold.

I all but ignored KISS for more than 15 years until the original foursome reunited�complete with 1978 makeup, costumes, set list and stage show. With the band I once worshipped back intact, I finally attended my first and only KISS concert at the MGM Grand Garden Arena in November 1996 at the age of 27. It was everything I hoped it would be: Gene growling his lyrics, playing chunky bass lines and spitting blood and fire; Paul prancing around and delivering his campy stage banter; Ace firing off riffs as smoke billowed from his guitar; Peter�s drum kit rising toward the rafters as he pounded away. Having checked that off my childhood bucket list, though, I felt no need to further re-establish my relationship with the band.

That was 18 years ago, and with KISS now coming to the Hard Rock for a nine-date residency at The Joint from November 5-23, the tug of nostalgia is once again pulling me back. Perhaps it was KISS finally getting inducted this year into the Rock and Roll Hall of Fame, 40 years after the release of its first album, but the time seems right for me to revisit the heroes of my flaming youth. Sure, Tommy Thayer and Eric Singer have supplanted Ace and Peter, respectively, in the lineup for more than a decade now, but this is as close to the old days as I�m ever going to get. Even Paul and Gene are planning for a future in which the band will continue without any of its original members, ensuring KISS will live on for as long as people want to rock and roll all night and party every day.
KISS Rocks Vegas

The Joint at the Hard Rock Hotel, 8 p.m., Nov. 5, 7-8, 12, 14-15, 19, 22-23, $49.50 and up, 702-693-5555, HardRockHotel.com
 

The band members really did become superheroes in 1977 when Marvel published a KISS comic book in which talismans transform them into their Starchild, Demon, Spaceman and Catman personae. As if that wasn�t cool enough, an inside spread showed photos of blood being drawn from each band member by a registered nurse that was then mixed with the red ink used in the comic. I bought two copies: one to read repeatedly, one to sit untouched. Foolishly, they were both part of the tragic Comic Book Purge of 1982, a grave error in judgment that still haunts me today.

As substantial as getting their own comic book was, though, nothing was bigger than the band getting their own TV movie. KISS Meets the Phantom of the Park premiered on NBC on October 28, 1978. To celebrate the occasion, three of my best friends spent the night at my house so we could share the moment. As giddy 9-year-olds, we cheered wildly, but deep in our hearts we knew the movie was terrible. We didn�t care, though. It was KISS. That was all that mattered.

That bomb of a film seemed to signal the beginning of the end of KISS� peak popularity�not just for me, but for many fans. I bought 1979�s Dynasty, with its disco-flavored single �I Was Made For Lovin� You.� But the release of 1980�s Unmasked and 1981�s Music from �The Elder� elicited no response from me. With KISS moving further away from its hard-rock roots, compounded by the departures of Ace and Peter, and with me nearing puberty and discovering new bands, we quietly parted ways. KISS didn�t return to Las Vegas until playing the Aladdin in April 1983, but I was 14 and had moved on to Van Halen by that point. And once the band members removed their makeup later that year, there was no chance of me returning to the fold.

I all but ignored KISS for more than 15 years until the original foursome reunited�complete with 1978 makeup, costumes, set list and stage show. With the band I once worshipped back intact, I finally attended my first and only KISS concert at the MGM Grand Garden Arena in November 1996 at the age of 27. It was everything I hoped it would be: Gene growling his lyrics, playing chunky bass lines and spitting blood and fire; Paul prancing around and delivering his campy stage banter; Ace firing off riffs as smoke billowed from his guitar; Peter�s drum kit rising toward the rafters as he pounded away. Having checked that off my childhood bucket list, though, I felt no need to further re-establish my relationship with the band.

That was 18 years ago, and with KISS now coming to the Hard Rock for a nine-date residency at The Joint from November 5-23, the tug of nostalgia is once again pulling me back. Perhaps it was KISS finally getting inducted this year into the Rock and Roll Hall of Fame, 40 years after the release of its first album, but the time seems right for me to revisit the heroes of my flaming youth. Sure, Tommy Thayer and Eric Singer have supplanted Ace and Peter, respectively, in the lineup for more than a decade now, but this is as close to the old days as I�m ever going to get. Even Paul and Gene are planning for a future in which the band will continue without any of its original members, ensuring KISS will live on for as long as people want to rock and roll all night and party every day. 

KISS Rocks Vegas

The Joint at the Hard Rock Hotel, 8 p.m., Nov. 5, 7-8, 12, 14-15, 19, 22-23, $49.50 and up, 702-693-5555, HardRockHotel.com

- See more at: http://vegasseven.com/2014/10/29/timeless-kiss/#sthash.sekcKOvi.dpuf
10/30/2014

KISS WOMEN'S MILITARY-STYLE CAP & KISS BLING BEANIE AVAILABLE ONLINE NOW

Here are two of the most recent additions to the Official KISS Merchandise store.

The KISS Women's Military-Style Cap - This black distressed military cap pops with the KISS logo in bright, clear diamond crystals. Order now at http://www.shopkissonline.com/hats/kiss-women-s-military-style-cap-new.html

The KISS Bling Beanie - Look cool while keeping warm! This black beanie is adorned with clear diamond crystals. Order now at http://www.shopkissonline.com/hats/kiss-bling-beanie.html

 

 

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