Kiss News

By Dan Kane
GateHouse News Service

The son of a popular Cleveland bandleader, Kiss drummer Eric Singer grew up in the '70s listening to WMMS and jamming on drums with his neighborhood rocker pals.

He found his career path early.

In 1984, Singer went on tour with hard-rock goddess Lita Ford, and a year later joined Black Sabbath. In 1989, he played drums on Kiss frontman Paul Stanley's solo tour, which led to an ongoing gig with Kiss. Singer simultaneously has been Alice Cooper's drummer since 2000, and has played on three Cooper albums to date.

Singer has played with Kiss steadily since 2004, appears on the band�s forthcoming album, "Sonic Boom," and is on tour with the band.

Singer, 51, was on his way to Detroit for tour rehearsals when he phoned to chat Tuesday afternoon.

Q. Tell me about the preshow ritual of putting on your Kiss makeup.

A. It's like the calm before the storm, if you will. The four of us get together and it's like a war room where we're preparing for battle. We're sitting there for a couple of hours and there's always great music. Gene will play deejay a lot of time. He likes to pull out old crazy blues stuff and doo-wop. It's very eclectic.By Dan Kane
GateHouse News Service

The son of a popular Cleveland bandleader, Kiss drummer Eric Singer grew up in the '70s listening to WMMS and jamming on drums with his neighborhood rocker pals.

He found his career path early.

In 1984, Singer went on tour with hard-rock goddess Lita Ford, and a year later joined Black Sabbath. In 1989, he played drums on Kiss frontman Paul Stanley's solo tour, which led to an ongoing gig with Kiss. Singer simultaneously has been Alice Cooper's drummer since 2000, and has played on three Cooper albums to date.

Singer has played with Kiss steadily since 2004, appears on the band�s forthcoming album, "Sonic Boom," and is on tour with the band.

Singer, 51, was on his way to Detroit for tour rehearsals when he phoned to chat Tuesday afternoon.

Q. Tell me about the preshow ritual of putting on your Kiss makeup.

A. It's like the calm before the storm, if you will. The four of us get together and it's like a war room where we're preparing for battle. We're sitting there for a couple of hours and there's always great music. Gene will play deejay a lot of time. He likes to pull out old crazy blues stuff and doo-wop. It's very eclectic.

Q. I imagine you have to be on top of your game with this band.

A. It's a lot of work and a lot of responsibility. People have this misconception that it's all fun and games, and some bands do just get out there and play. But there are higher expectations for a Kiss show. Kiss is a spectacle. It's the circus meets rock 'n' roll. Gene and Paul have always said when they created Kiss, they created the show they never got to see. We�ve got to turn them on visually as well as musically.

Q. Growing up in Cleveland, did you see Kiss in concert?

A. I sure did. The first time was at the Allen Theatre; they opened for the New York Dolls. Then I saw them later that year at the Akron Civic Theatre, and Rush was their opening act.

Q. And now you're in Kiss, playing some of those same songs onstage.

A. There's a certain bag of tricks that Kiss is known for, and songs they've got to do. Gene and Paul have performed some of these songs for 30, 35 years.

Q. From your position onstage, do you have a good view of the audience?

A. It depends on the venue and the lighting. But I can always feel the intensity of the crowd. There's nothing like it. Kiss fans are crazy.

Q. Do you have a big drum solo in the show?

A. The song "100,000 Years" traditionally has the drum solo. I get my chance to shine and the band gets a chance to take a break.

Q. There's a new Kiss album coming out, "Sonic Boom." Tell me about it.

A. It's the first new Kiss music in 11 years. The band got really inspired playing in Europe last year. They wanted an old-school Kiss record with no outside songwriters. We'd go in the rehearsal room, work up ideas, then go in the studio and record. We played live, it's all analog. We think it's a great record. It's coming out Oct. 6, exclusively at Wal-Mart.

Q. Why Wal-Mart?

A. Because it's the biggest store in the world, Wal-Mart can sell stuff at a really inexpensive price, more bang for the buck. You get a CD of all-new Kiss music, a second CD of Kiss classics rerecorded by the current lineup and a live concert DVD from Buenos Aires earlier this year, and it's only 12 bucks.

Q. Tell me about your involvement with Kiss. I know you've been in and out of the band.

A. I first met Paul in '89, when I did his first solo tour. I first joined Kiss in '91, did the "Revenge" tour, went to Australia a couple of times, South America, Japan. Then they reunited with Ace and Peter for a few years. I've been back for good since 2004.

Q. Is Ace Frehley still in the band?

A. No, Tommy Thayer has been in Ace's spot since 2002. Ace didn't want to do it any more, had to tackle some of his demons. This lineup, with me and Tommy and Paul and Gene, has been the same since '04.

Q. How did you start playing drums?

A. Both my parents were musicians. My mother sings and my dad was a well-known bandleader around town. I first played in his band as a 14-year-old � country clubs, dinners, weddings, that kind of thing.

Q. Doesn't sound very rock 'n' roll, Eric.

A. The whole rock thing happened when I met a bunch of kids who were all into music big time and played instruments and started jamming. One of my first bands was in the sixth grade. And I mean just growing up in Cleveland, it was such a great breeding ground for rock 'n' roll.

Cobo Arena a scene of rock history

BY BRIAN McCOLLUM
FREE PRESS POP MUSIC WRITER


It's going to get sentimental in Cobo Arena this weekend.

Really loud and sentimental.

With its Friday-Saturday stand at the old Detroit arena, the rock band Kiss will return to the scene of its most famous concerts: the 1975 shows recorded and photographed for the multiplatinum album "Alive!"

Kiss booked the new dates as a farewell to the vaunted venue, which will be converted into exhibit space as part of Cobo Center's nearly $300-million expansion authorized by Gov. Jennifer Granholm in July.

"We figured, before they take the rock 'n' roll soul out of the building, how about we go in there one more time and shake it up?" says guitarist Paul Stanley.

For more than 20,000 fans this weekend, it will be a chance to revisit a spot that has spawned countless rock 'n' roll memories and boxes full of cherished ticket stubs.

Still, for local music fans -- many of whom grew up with wild Cobo nights in the '70s and '80s -- this weekend is a heck of a way to start saying good-bye.Cobo Arena a scene of rock history

BY BRIAN McCOLLUM
FREE PRESS POP MUSIC WRITER


It's going to get sentimental in Cobo Arena this weekend.

Really loud and sentimental.

With its Friday-Saturday stand at the old Detroit arena, the rock band Kiss will return to the scene of its most famous concerts: the 1975 shows recorded and photographed for the multiplatinum album "Alive!"

Kiss booked the new dates as a farewell to the vaunted venue, which will be converted into exhibit space as part of Cobo Center's nearly $300-million expansion authorized by Gov. Jennifer Granholm in July.

"We figured, before they take the rock 'n' roll soul out of the building, how about we go in there one more time and shake it up?" says guitarist Paul Stanley.

For more than 20,000 fans this weekend, it will be a chance to revisit a spot that has spawned countless rock 'n' roll memories and boxes full of cherished ticket stubs.

Still, for local music fans -- many of whom grew up with wild Cobo nights in the '70s and '80s -- this weekend is a heck of a way to start saying good-bye.

Kiss bassist Gene Simmons figures he'll have a lump in his throat as he walks onstage.

"For us it's an emotional event," he said. "Kiss never wrote a song called 'New York Rock City.' But we did write one about Detroit. That was an homage to the city that gave the world just a ton of music that survives over the ages. And Cobo in particular was the palace, the citadel of sound."

The venue hasn't been an entertainment hub for many years, its role displaced by Joe Louis Arena in 1979 and then by the Palace of Auburn Hills in 1988. Just four dozen concerts have played Cobo this decade, according to Pollstar magazine data.

But in the 1970s it was the go-to rock spot, a relatively cozy arena where the music was loud and security personnel often looked the other way.

Along with Tokyo's Budokan and New York's Madison Square Garden, Cobo is among a handful of venues around the world with instant name recognition.

That's largely thanks to the slew of live albums cut at Cobo over the years, by artists such as the J. Geils Band, Madonna and local hero Bob Seger.

But most famous of all is "Alive," the double album that propelled Kiss to global fame in the mid-1970s. Recorded in Detroit and other Midwest locales in spring 1975, the LP included a Cobo crowd photo that became iconic.

Kiss, like many emerging bands of the time, enjoyed an early embrace from Detroit's rock audience.

"It's a historic and magical place for us. Kiss and Cobo are linked forever," said Stanley. "Going back is kind of 'Fantasy Island.' We're getting a chance to do something we never thought we could."

Filmmaker Doug Akers, who grew up in Detroit, describes it as one of "music history's hallowed halls." Last year he began work on "Let's Go Cobo," a documentary about the arena. He'll film an interview with members of Kiss this weekend, and is aiming for a 2010 release.

At 42, he's too young to have attended the legendary Kiss dates in the '70s. But he's got tickets for this weekend.

"It's the show I always wanted to see," said Akers. "I'm just like millions of other kids around the world -- I grew up looking at the back of that Kiss 'Alive' album, dreaming of seeing them play there. I'm just going to revel in the moment, like I do every time I step into Cobo."

BY BRIAN McCOLLUM
FREE PRESS POP MUSIC WRITER

Kiss will launch its North American tour with a pair of Cobo Arena shows this weekend, the latest chapters in the long, strong relationship between the band and the town it dubbed Detroit Rock City.

They're the biggest Kiss shows in Detroit since the band opened its 1996 reunion tour at Tiger Stadium.

This time, founders Paul Stanley and Gene Simmons are joined by guitarist Tommy Thayer and drummer Eric Singer as Kiss revs up for the Oct. 6 release of "Sonic Boom."

It's the first Kiss album since 1998's "Psycho Circus," recorded as the reunited lineup was starting to disintegrate. (The band launched a farewell tour in 2000.)

Stanley, who produced "Sonic Boom," recently spoke with the Free Press from his home in Los Angeles.BY BRIAN McCOLLUM
FREE PRESS POP MUSIC WRITER

Kiss will launch its North American tour with a pair of Cobo Arena shows this weekend, the latest chapters in the long, strong relationship between the band and the town it dubbed Detroit Rock City.

They're the biggest Kiss shows in Detroit since the band opened its 1996 reunion tour at Tiger Stadium.

This time, founders Paul Stanley and Gene Simmons are joined by guitarist Tommy Thayer and drummer Eric Singer as Kiss revs up for the Oct. 6 release of "Sonic Boom."

It's the first Kiss album since 1998's "Psycho Circus," recorded as the reunited lineup was starting to disintegrate. (The band launched a farewell tour in 2000.)

Stanley, who produced "Sonic Boom," recently spoke with the Free Press from his home in Los Angeles.

QUESTION: You've said that Kiss continues to draw young fans into the fold. What's the allure?

ANSWER: At this point, with the legend of Kiss, there really is a sense of a band that has always delivered 100% and tried to deliver more. And there's a young audience that has heard about us and wants to see if that's true. They find out -- deafeningly and blindingly -- that it is. I think it's timeless. The members of Kiss, the iconic figures, are timeless. And that's intriguing.

Q: "Sonic Boom" is being billed as a return to a classic Kiss sound. What was the mind-set going in?

A: I didn't want to make a retro album. What I wanted to capture was the spirit and fire that is Kiss today. On these last tours we've done, it's clear the band has never been better, never been more Kiss.

The only way an album was of interest to me was if I produced it and steered it in a way to make the kind of album we were capable of making. Otherwise, there was no reason to do it. So yeah, it was a conscious decision to capture what the band is.

Q: Did you take lessons -- good or bad -- from "Psycho Circus" in '98?

A: What I learned is you can't make an album without a band. It was a valiant attempt at making an album where people are having lawyers phone in instead of being in the studio. You can't work when people have a distorted sense of their capabilities or ... I guess a view of where they are in the big picture. Or when you have people insisting on quotas about having a certain amount of songs on the album. You can't make an album when people are more concerned with furthering themselves than furthering the band.

Q: Names and details?

A: I think we had people who were delusional about their songwriting abilities and musical abilities. There was an unfortunate carryover of bad habits that people had sworn they would never do again. It's strange when people come back to a band nothing but grateful, with promises they've learned from their mistakes, and as soon as they have money in their pocket, quickly develop amnesia.

Q: Are you still glad you did the reunion?

A: Totally. Totally. It was magical at the beginning. But ultimately, the only magic I wanted was to make certain people disappear. And that was a shame. It had the potential to be much more than just a reunion tour. But it quickly became clear that it couldn't progress. It was an opportunity for people to hone their skills and take the band to another level. But I guess that was left to Tommy, Eric, Gene and me.

I don't want to burst anybody's bubble, but the truth is, it became tough very quickly because people lost sight of the goal. And that's not the spirit the reunion tour started with. The reason we did a farewell tour is because it just wasn't possible to continue. Certainly, it wasn't fun. Nothing's worth doing if it's not fun. What I learned toward the end of the farewell was I didn't want to say farewell to Kiss. I wanted to say farewell to some of the members. (Laughs) And luckily, fans overwhelmingly didn't want the band to end.

Adam Graham / Detroit News Pop Music Writer

Kiss' love affair with Detroit -- and the city's relationship with the legendary costumed rock outfit -- has lasted longer than many marriages.

The group recorded the bulk of its "Alive" album here, kicked off its reunion tour at Tiger Stadium in 1996 and gave the city one of its most enduring anthems and monikers, "Detroit Rock City."

Friday and Saturday, Kiss rekindles its relationship with the Motor City when it returns to Cobo Arena, the site of its landmark 1975 "Alive" LP.

"It was clear from the beginning that Detroit just got us," says frontman Paul Stanley, on the phone earlier this month. "They understood us instinctively and intuitively. Before we were headlining anywhere, we were headlining in Detroit."Adam Graham / Detroit News Pop Music Writer

Kiss' love affair with Detroit -- and the city's relationship with the legendary costumed rock outfit -- has lasted longer than many marriages.

The group recorded the bulk of its "Alive" album here, kicked off its reunion tour at Tiger Stadium in 1996 and gave the city one of its most enduring anthems and monikers, "Detroit Rock City."

Friday and Saturday, Kiss rekindles its relationship with the Motor City when it returns to Cobo Arena, the site of its landmark 1975 "Alive" LP.

"It was clear from the beginning that Detroit just got us," says frontman Paul Stanley, on the phone earlier this month. "They understood us instinctively and intuitively. Before we were headlining anywhere, we were headlining in Detroit."

The band decided to open its latest tour, dubbed "Kiss Alive 35," at Cobo when they heard the arena might be in trouble. Tour dates for the trek were already booked, but they tacked on two shows at the front of the tour to return to the city -- and the arena -- that helped make them famous.

"We're saluting the place that gave us a shot," says Kiss bassist and figurehead Gene Simmons, who says the band will play "Alive" in its entirety during the Cobo shows. "Yes, it's a concert. But for us it means something more."

Kiss formed in 1972 in New York, and in its early years struggled to find its footing. The group -- Stanley, Simmons, guitarist Ace Frehley and drummer Peter Criss -- released three albums in 1974 and '75, but failed to find much commercial success. At the same time, the band's live shows were gaining a reputation for over-the-top excesses, including fire, explosions, outrageous costumes and a little good old-fashioned blood-spitting, courtesy of Simmons.

In order to help re-create the excitement of its live show, and salvage its fledging career, the band decided to record a double live album. "Alive" -- recorded mostly at Cobo Arena, with a cover photo that was shot during rehearsals at the now-defunct Michigan Palace -- was released in September 1975, and quickly became a hit. It became the band's first gold-selling album, cemented its reputation as a live powerhouse and gave the group a new lease on life.

The next year, Kiss included "Detroit Rock City" on its "Destroyer" album. "I wanted to pay tribute to Detroit. There'd been a few songs written about different cities, and by far, I thought the city that should be at the front of that acclaim was Detroit," Stanley says.

Of the title, which has become as synonymous with the city as the nicknames Motown and the Motor City, Stanley says it just came to him. "It's what it is. It's something that Detroit wears very easily and naturally," he says. "I spit it out, the same way I spit out, 'Rock and roll all night and party every day.' It's organic and it's natural. Detroit is the rock city."

In addition to the tour, Kiss -- Frehley and Criss exited the band earlier this decade, and were replaced by Tommy Thayer and Eric Singer, respectively -- is also readying the release of "Sonic Boom," a three-disc package that will be released exclusively at Wal-Mart stores on Oct. 6. "Sonic Boom" marks the band's first studio effort since 1998's "Psycho Circus," and comes packaged with a greatest hits disc, re-recorded by the band's current lineup, and a DVD featuring a recent performance in Buenos Aires.

When Cobo's future was up in the air, there was talk the Kiss performance could be the last ever housed in the venue. "Whatever they're going to do to it, we want to be the last people in there," says Stanley.

Reminded that the famed Tiger Stadium -- where the band played to almost 40,000 fans in June 1996 -- is now a pile of rubble, he lets out a slight chuckle.

"Well," he says, "I guess that's our lot in life: to seek and destroy."

Kiss quips
Gene Simmons is rarely at a loss for words. Here are a few thoughts from the God of Thunder:

On the band's current lineup vs. the original lineup

"(People say) family is the most important thing. Actually, no, it's not. Love, respect and discipline is the most important thing; and if your father is a drunk and abuses the family and makes it dysfunctional, kick (him) out. Blood is thicker than water? No it's not. Self-respect, discipline and honesty is the most important thing. If your mother or father or brother or sister is a drug addict (kind of) loser, toss him out. It's called tough love.

"Love yourself and respect yourself enough to have pride in what you do. Love and respect and have pride for the band you're in. When we get up on stage, that's holy ground. This is electric church, and no one on that stage -- me or anyone else -- wears the makeup and platform heels by some kind of birthright. This ain't Europe; just 'cause your dad was king doesn't make you the king. You've got to earn it. And when you defile Kiss, you should be thrown out."

On the controversial Kiss casket

"They sold out, of course. You can't get another one anywhere. I don't even have one anymore. I sent the last one to the family of (deceased Pantera guitarist) Dimebag Darrell (Abbott). The last will and testament of his family is that he be buried in a Kiss casket. (I sent) the one I had right here in my museum."

On Kiss merchandising

"How cool is it to walk in and see Kiss Mr. Potato heads, or Kiss M&Ms? Come on. We love the Stones and we love U2 and Radiohead, but I don't want to see Thom Yorke's face on an M&M."

On Radiohead

"Love the songs. Live? I'm bored."

On Kiss' live philosophy

"If you bring your eyes to a concert, we want a visual boom, a visual overload. And you should get that, for (heaven's) sake. You're paying as much for a concert ticket as some down payments on cars. It's nuts."

On Kiss' tour with Aerosmith earlier this decade

"When we both decided to go out, (headliners were) going to be flip-flopped every other night, but we immediately stepped up and said, 'Don't worry about ego, we'll go on first every night, not a problem. And we promise you, people will forget you were there.' "

On a favorite Detroit memory

"We were backstage getting ready (at Cobo) and we were doing photo sessions, and I was in full makeup, and I had to go to the bathroom before we went out (on stage). And a really pretty girl walked in there, and I said, 'Sorry, miss, you're in the wrong bathroom.' She said, 'No no no, I wanted to give you a present before you get up on stage.' And I'm going, 'I love Detroit.' "

On being Gene Simmons

"It's good to be me. People say life is short and all that; still, you can live big, you can live a full life if you get off your (behind) and do something. I believe a lot of people go to their grave and on their headstones it might say, 'I woulda, I coulda, I shoulda.' On my tombstone it's going to say 'Thank you and good night.' I wanna go up in flames. That's Kiss."